Keats and Chapman and Keats and Chapman
More homage to Flann O’Brien. (Today’s hint: “On First Looking into Chapman’s Homer” by Keats.)
Keats and Chapman and
Keats and Chapman
“Extraordinary
fellow, Homer,” said the Baron when his friend and country neighbor had
interrupted his reading by entering the library unannounced one forenoon. “How he makes hay of these petty jealousies indulged
in by the queen of the gods. One would
have thought she’d have got used to the old boy’s philandering by now, at any
rate. Sherry?”
His
visitor, after accepting a glass, apologizing for his abrupt though not
indecorous entry, and remarking on the poet’s unsettling implication that the
grudges of the gods might be as immortal as those who held them, added, “But my
dear man, I suggest you decline your gaze to a marital discord more pressing if
less Olympian.”
“Eh, what?”
muttered the Baron.
“When did
you last hear from the Baroness?”
“A
fortnight ago, I think. She was on the
point of departing her sister’s establishment in New York for some outlying
spot—a town in . . . er . . . Ticktock . . . or Necktick . . . or some such
uncivilized native appellation—where I am to write her next. What discord?”
“It seems
that you have given your wife an insult of epic proportions.”
“Insulted
my wife?”
“Indeed,
yes. I have it on the incontrovertible
authority of mine, whose tireless observation of the matrimonial heavens for
signs of significance to wedded mortals has today been rewarded, I’m afraid, by
the sighting of an ominous new planet in the form of a letter from her friend
the Baroness, now in Connecticut. I am
sent to tell you that her Ladyship, having first taken umbrage at some
undivulged word or deed of yours, has seen fit to take next a madcap but
nonetheless solemn vow never, barring a formal satisfaction, to converse with
you again.”
“What? She means to stay in Con . . . Connect . . .
?”
“Connecticut. The second ‘c’ is, as the Baroness threatens
to become, inexplicably silent. No. She will return from America to the peace of
this pleasant demesne on schedule, having endured, she reports, more than
enough of the inordinate clanging of iron and steel which the pursuit of gold
has engendered in that metallic realm—or rather republic. It is not clear whether the headache has
influenced her choice to seek a verbal as well as a pastoral quietude. But in any case she has sworn that no word of
hers shall reach eye or ear of yours until you apologize.”
“But how
have I insulted her? It can only have
been in my last letter. Let me see. . .
. I wrote about the clear weather, the estate.
Nothing there. . . . I had begun reading Homer and mentioned that. I think I rather went on about the extremes
to which Menelaus had felt obliged to carry things in order to retrieve—he and
his brother dragging all those utterly uninterested people from their
comfortable homes off to a foreign—to war, don’t you know. I wonder if—she can’t have thought—I mean I
had no intention of implying that Menelaus should have let Helen—that a wife is
not worth—oh dear me.”
And now,
shocked into silence himself by the unprecedented and full-blown recognition of
the power of literature—whether epic or epistolary—to alter the lives of men,
and of women, the Baron stared vacantly at the floor for a full minute. His subsequent awakening to the urgent
necessity of determining a course of action by which to appease the wrath of his
spouse and assure a pacific reunion when she should re-cross the Atlantic put
the Baron into a flutter.
“I must
write to her at once! Where the deuce
did you say she was?” Then, not so
flustered as entirely to have lost his customary philosophical bent, yet
sufficiently impassioned to have become for the moment oblivious to the rule of
syntax that forbids the post-positioning of prepositions, he added, “What
inscrutable state of the feminine mind can have made her think my letter
sufficient grounds to fall silent upon?”
Inverting
the order of these two compelling queries in his twofold reply, the Baron’s
friend in need earned not only the momentary and somewhat distracted thanks of
his host but the undying respect of admirers of verbal conceit from that day to
this. “A pique,” he said. “In Darien.”
2 Comments:
The 2013 International Open Keats and Chapman Competition (first prize £50) is now taking entries. Apply via the rules page at http://essaydensushing.blogspot.co.uk/. Encourage all your friends!
Now that I've entered his contest myself, I invite everyone else to do the same (see previous comment). And check out the blog. Very clever.
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